To pay homage to an inspirational woman such as Josephine Baker was a daunting prospect, and something I put off for a while. Not only because of who she was in terms of the history of dance, show biz, and her relevance in black culture but also the political statement of the piece.
Firstly I needed to bring together all the elements of the act. The right music, the correct moves and, of course, the persona. I enlisted the help of a dear friend and the head of the Bees Knees, Aliya Floyd. Her expertise in Charleston and the popular dance moves of the time were perfect in what was needed to make a true salute to Josephine. Naturally, I studied her range of facial expressions as well, which I feel is her signature – and a whole piece of choreography within itself.